Jacques Tati’s very own vision on modernist homes

Jacques Tati, known for his critical yet humorous take on modernity, made that insightful statement in 1972, encapsulating his belief that architecture should not only focus on aesthetics and structural innovation but also on the practical, human aspect of living within these spaces.

“I am not at all against modern architecture, but I believe it should come with not only a building but also a living permit.” – Jacques Tati

Yet, modernist houses are timeless. They make a statement: ‘I am here, and I have no time for the frills of personality or warmth.’ They hold their value because there will always be someone out there looking for that perfect blend of museum and home. In essence, Tati’s idea of a “living permit” serves as a critique and a guideline for architects and urban planners, urging them to create spaces that are not only visually striking but also deeply attuned to the human experience.

“The star was primarily the décor” – Jacques Tati, commenting on Villa Arpel, a distinguished example of mid-century modern design, famously featured on his movie “Mon Oncle”.